eagerly awaited the show at 21.15 on show at Municipal de Cagli "God child" Gaber-Luporini with EUGENIO HAPPY directed by Giorgio Gallione Archivolto Theatre Foundation production.
Scenography signed by Guido Fiorato . The monologue has been very critical of consent, on a directed attention to the nuances of the character and the interpretation of Allegri touching the points of the text very effectively, connecting stories and dialogues for almost an hour and a half with absolutely no lost or bring down the tension.
The good actor (which he remembers other monologues including "Novecento" Alessandro Baricco ) is elegant in the scene with a dark suit, white shirt, red suspenders, disheveled and sweaty, his eyes scored in perfect agreement emotional breakup with local, with chairs and tables thrown chaotically on the floor, between half-empty bottles and trampled flowers, a sort of allusion to tell party gone bad. And 'that's what they tell us and Gaber Luporini in this play where he joins the drama to comedy: the protagonist is a sort of Peter Pan who has left the island that is not there to deal with the daily confrontation with life that is, reflected in the eyes now love, now distant and absent, then scared and finally resigned his companion.
Scenography signed by Guido Fiorato . The monologue has been very critical of consent, on a directed attention to the nuances of the character and the interpretation of Allegri touching the points of the text very effectively, connecting stories and dialogues for almost an hour and a half with absolutely no lost or bring down the tension.
The good actor (which he remembers other monologues including "Novecento" Alessandro Baricco ) is elegant in the scene with a dark suit, white shirt, red suspenders, disheveled and sweaty, his eyes scored in perfect agreement emotional breakup with local, with chairs and tables thrown chaotically on the floor, between half-empty bottles and trampled flowers, a sort of allusion to tell party gone bad. And 'that's what they tell us and Gaber Luporini in this play where he joins the drama to comedy: the protagonist is a sort of Peter Pan who has left the island that is not there to deal with the daily confrontation with life that is, reflected in the eyes now love, now distant and absent, then scared and finally resigned his companion.
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